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Full Metal Jacket the movie 1987 showtimes online hd Full Metal Jacket song, Watch Full Metal Jacket full movie online now.A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.,what are Full Metal Jacket movies in order Full Metal Jacket synopsis full movie Full Metal Jacket 1987 HD Movies, Full Length Movie
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Title : Full Metal Jacket
Full Metal Jacket genre : Drama, War
Full Metal Jacket crew : Stanley Kubrick, Stanley Kubrick, Stanley Kubrick, Jane Feinberg, Mike Fenton, Marion Dougherty, Anton Furst, Martin Hunter, Jan Harlan, Nigel Galt
Full Metal Jacket release date : 7 March 19 5 8
Full Metal Jacket runtime : 116 Minutes
Full Metal Jacket Crew : Stanley Kubrick, Stanley Kubrick, Stanley Kubrick, Jane Feinberg, Mike Fenton, Marion Dougherty, Anton Furst, Martin Hunter, Jan Harlan, Nigel Galt
Full Metal Jacket movie cast :
Matthew Modine, Adam Baldwin, Vincent D'Onofrio, R. Lee Ermey, Dorian Harewood, Arliss Howard, Kevyn Major Howard, Ed O'Ross, John Terry, Bruce Boa
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A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue. Full Metal Jacket 1987 review : **The second half is better than the first half.**

A film of two halves.

The first half of the fiim focuses on the training of raw recruits and features shenanigans we have seen countless times before - think _Stripes_ and _Police Academy_.

The persecution of the fat guy - a scenario we had already witnessed in Stripes and Police Academy ( "_I could show a movie on your butt, fatso_!"- Lt Harris, Police Academy) is here played out to maximum effect. The fat guy who freezes atop a climbing frame is the central plot here with Matthew Modine's character playing second fiddle to all of the _Leslie Barbara_ stuff.

The second half of the movie at least gives us something we were not expecting when a sniper's identity is revealed.


- Ian Beale
Released in 1986, Full Metal Jacket is Stanley Kubrick's film about Vietnam, adapted from a novel by the reclusive and bitter Vietnam veteran Gustav Harford, and then further expanded by acclaimed Vietnam journalist Michael Herr.

The film breaks down neatly into two very different parts, though both are seen through the eyes of young United States marine J. T. "Joker" Davis (Matthew Modine). In the first act, Davis makes his way through Marine basic training with a motley group of other recruits under the hellish command of gunnery sergeant Hartmann (R. Lee Ermey). Joker watches as Hartmann bullies an overweight and dim-witted recruit cruelly nicknamed Gomer Pyle (Vincent D'Onofrio), until Pyle explodes into murderous revenge. In the second act, now set in Vietnam where Joker is doing a tour of duty as a military journalist, the protagonist and his fellow Marines find themselves on the front line during the Tet Offensive and Joker witnesses firsthand the savagery of war.

Few films consist of such drastically opposed parts that differ in setting and tone and don’t have any overlapping characters besides the protagonist (and one minor character from the boot camp scenes). Full Metal Jacket has often disappointed viewers because the first half is so thrilling that it proves a hard act to follow. That's all down to R. Lee Ermey, who actually was a drill instructor during Vietnam and initially served only as a technical consultant before Kubrick decided to let him play the role and improvise. Ermey acts with a white-hot intensity, realism, and brilliantly worded insults and obscenities that no screenwriter could ever have come up with.

As a young man, I too felt that the film was a letdown once it moved past the witty quips and goofy camaraderie of the boot camp scenes. With time, however, my appreciation for the film as a whole has only grown. The two-part structure now seems to be a strong yin-yang structure: the first act is a vision of order, while the second is all chaos. Furthermore, the second half is a moving statement of how war is often senseless. Joker and his squad, while on patrol for an enemy they cannot even identify and whose ideology or culture they know hardly anything of, begin to be targeted by a sniper. Several men perish before the sniper is found and neutralized, and all that death is pointless: it doesn't contribute in any way to victory for either side. The brutality of World War I trench warfare, where dozens of men could perish for merely a foot of conquered ground, is shown to have persisted through the American quagmire in Southeast Asia.

That said, the film does have its flaws. One is the unrealistic depiction of the Vietnamese landscape. Kubrick had a great fear or dislike of foreign travel, and he insisted on shooting the whole film in East London. Having merely a few palm trees shipped in is a poor replacement for a real Southeast Asian shooting location with its humidity and insects, and in the scene that is meant to show a lively Vietnamese town square Kubrick obviously had the same few cars driving around in circles. It's strange how a director who was generally so perfectionist, could be so careless about locales (this only got worse with his next and last film, Eyes Wide Shut, with its inauthentic stage set New York City). There are also some anachronisms that this director and his technical advisors should have noticed.

Still, even a flawed Kubrick film is classic cinema.

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Title : The Untouchables
The Untouchables genre : Crime, Drama, History, Thriller
The Untouchables crew : Gerald B. Greenberg, Brian De Palma, Art Linson, David Mamet, Oscar Fraley, Eliot Ness, Stephen H. Burum, Ennio Morricone, Ennio Morricone, William A. Elliott
The Untouchables release date : 11 February 19 3 5
The Untouchables runtime : 119 Minutes
The Untouchables Crew : Gerald B. Greenberg, Brian De Palma, Art Linson, David Mamet, Oscar Fraley, Eliot Ness, Stephen H. Burum, Ennio Morricone, Ennio Morricone, William A. Elliott
The Untouchables movie cast :
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Young Treasury Agent Elliot Ness arrives in Chicago and is determined to take down Al Capone, but it's not going to be easy because Capone has the police in his pocket. Ness meets Jimmy Malone, a veteran patrolman and probably the most honorable one on the force. He asks Malone to help him get Capone, but Malone warns him that if he goes after Capone, he is going to war. The Untouchables 1987 review : Never stop fighting till the fight is done, here endeth the lesson.

As good a gangster movie that has ever been made as DePalma does justice to Mamet's electric script. The acting on show is right out of the top draw, the inevitable ease that DeNiro puts menace into Capone is quite impressive, whilst the fresh faced pugnacious tenacity of Andy Garcia's George Stone is something of a delightful experience. Yet that is not enough because we still need the central actors to carry the film if it is going to triumph. Connery is a given performance wise (accent aside of course, but then again who cares when the character portrayal is as sharp as it is here?) but it is Costner as Eliot Ness that shines like the star he was soon to become, it's a magic performance that manages to fuse genuine tenderness of family love with little trips to the dark side in pursuit of making good triumph over evil.

I love that the film is showing how violence and fear affects families, mother and child is a theme that is central to the film's heartbeat, notice how some of the more violent scenes are followed by tender scenes of Ness and his family. The set pieces here are attention grabbing entertainment, a roaring Canadian border rumpus and a smashing roof top pursuit and face off are top value, but it's DePalma gold watching a brilliant Battleship Potemkin homage at the Union train station that takes the cake as the film enters the last quarter. Surely historical facts does not matter when films are as sharp as this one is?. It's frightening, touching, and even witty. So for me at least, the film is 10/10 in every department (and yes, even with Sean's accent).

Footnote: The academy saw fit to nominate Ennio Morricone for his wonderful score, yet strangely he used some of it for the main theme in John Carpenter's 1982 film "The Thing", they must have missed it that time I presume! Must be the genre angle one thinks...
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Capone starring Tom Hardy is being released this week, so I decided to visit a classic from the late 80s that also features Al Capone (this time portrayed by Robert De Niro). One of my 2020's resolutions is to review older films, classics that I never wrote about, and maybe go through a director's filmography before his/her next big movie. I'll also try to review previous films inside a franchise, for example, before the live-action Mulan is released, I'll definitely rewatch and review the 1998's original. You get my point.

The Untouchables is one of those classics I've already seen a few times, but I can't quite recall the last time I watched it, so it almost felt like a whole new release since I didn't remember most plot points. I really enjoyed experiencing such a great period gangster movie again. The cast is incredible, and I'll get there, but I need to start with the impressive production level for a 1987's flick. From the set design to the well-crafted action sequences, everything looks and feels like Chicago during the Prohibition Era.

I love how the dialogues are played out. Nowadays, it's not that common to have an entire film filled with long, uncut conversations between the characters. Most directors just employ the unimaginative "line-cut-line" type of dialogue. I'm not the biggest fan of Brian DePalma, even though he started one of my favorite action sagas of all-time (Mission: Impossible). However, his blocking/framing skills are outstanding in this movie. Every actor's movement is followed seamlessly by the camera (DP: Stephen H. Burum), making every single shot count.

The screenplay is very well-structured. Every time the film starts lacking energy, something impactful occurs. A great action scene, a new story development that changes the course of the narrative, or a character's decision that makes the viewer worried about an inevitable outcome. Consequently, The Untouchables rarely loses its momentum, it's always entertaining in some shape or form. The four characters that constitute the title group are all emotionally compelling, and their actors offer extraordinary performances... except for the lead, Kevin Costner.

I don't know if people might consider this a hot take or not, but I find Costner's display extremely one-dimensional. During the movie, he goes through life-threatening situations, people that he cares about die, and he eventually gets face-to-face with Al Capone. His facial expression looks awkwardly almost identical in all of these scenes, and many more. It's his first big film, the one that catapulted him into stardom, but I'm not the first to find his acting rangeless in this flick. Nevertheless, it doesn't become that big of a distraction that I can't connect with his character.

Regarding the rest of the cast, Sean Connery steals the show with his portrayal of Jim Malone. He's charming and funny, but when he needs to take his character through a very dark and dramatic scene, he has no problems in delivering an exceptional performance. The young Andy Garcia (George Stone) proves that he had the chops to become a great actor (which he did), and Charles Martin Smith is surprisingly witty as Oscar Wallace. My main issue with the movie involves the lack of screentime given to Robert De Niro as Al Capone.

Sure, it's a story about the people who got the famous gangster, and not a biography of the latter. However, not only it's a waste of a phenomenal actor, but also a waste of a potentially great character. Al Capone is supposedly a quite clever businessman and ruthless crime boss, possessing an unusually well-protected organization, but he only appears in a few scattered scenes, like he's just some random villain that the good guys need to defeat. Granted, they're really cool scenes, but he doesn't feel like the massive threat that the film assumes he is since the viewer barely gets to know Al Capone and how he holds so much power.

All in all, The Untouchables still holds up incredibly well after more than thirty years. Production-wise, not only the sets and costumes seamlessly resemble the Prohibition Era, but Brian DePalma's technically impressive blocking and framing are a joy to watch. Long, captivating, uncut dialogues are elevated by a remarkable cast (Sean Connery is undoubtedly the standout), despite Kevin Costner lacking a bit of emotional range. Even the action sequences of this 1987's movie look better than a lot of blockbusters of today. David Mamet writes a well-structured screenplay that rarely loses interest and featuring exceptionally compelling characters. Addictive score from Ennio Morricone as well. However, both Robert De Niro and his character, Al Capone, are underused, especially the latter. For such an important character who constantly changes the path of the narrative, the lack of screentime doesn't allow the viewer to understand Al Capone's motivations or feel how much of a threat he truly is. Still, it's a classic worthy of a rewatch, and I definitely recommend it.

Rating: A-

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